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Language Conversation
The setup
The premise
Here’s the bit.
In a television-studio conversation, Stephen Fry enthusiastically explores whether English shapes the people who speak it. Hugh Laurie questions him and turns to the camera with increasingly literal summaries of a discussion that moves from political rhetoric to chickens, eggs and chess.
Fry compares the possibilities of language to the endless music available from a limited set of piano keys, then contrasts an invented sentence with the ordinary phrases people repeat. Asked whether words mean more than communication, he answers with an escalating cascade of intimate, lyrical and incongruous images. Laurie brings the conversation to a close.
The funny people
Meet the cast. 2
Say it with us
Highly quotable.
Hello, we’re talking about language.
We’ve moved on to chess.
Language is the breath of God.
Behind the scenes
The people who made it.

Stephen Fry
Writer

Roger Ordish
Director

Hugh Laurie
Writer

Script
Automatically generated script; wording may contain errors. Speaker labels are inferred.
- 00:00
Interviewer
So let's talk instead about flexibility of language, linguistic elasticity, if you like.
- 00:05
Interviewee
Yes, I think I said earlier that our language, English...
- 00:07
Interviewer
As spoken by us.
- 00:08
Interviewee
As we speak it, yes, certainly, defines it. We are defined by our language, if you will.
- 00:13
Interviewer
Hello, we're talking about language.
- 00:16
Interviewee
If I can illustrate my point, let me at least try. Here's a question.
- 00:25
Interviewer
What is it?
- 00:28
Interviewee
Well, my question is this. Is our language, English, capable? Is English capable of sustaining demagoguery?
- 00:40
Interviewer
Demagoguery?
- 00:40
Interviewee
Demagoguery.
- 00:41
Interviewer
And by demagoguery you mean?
- 00:42
Interviewee
By demagoguery I mean demagoguery.
- 00:44
Interviewer
I thought so.
- 00:44
Interviewee
I mean highly charged oratory persuasive whipping up rhetoric. Listen to me, listen to me. If this man had been British would we, under similar circumstances, have been moved, charged up, fired up by his inflammatory speeches or would we simply have laughed? Is English too ironic to sustain Hitlerian styles? Would his language simply have rung false in our ears?
- 01:07
Interviewer
We're talking about things ringing false in our ears.
- 01:10
Interviewee
Um, may I compartmentalise? I hate to, but may I? May I?
- 01:15
Interviewee
Is our language a function of our British cynicism, tolerance, resistance to false emotion, humour and so on? Or do those qualities come extrinsically, extrinsically from the language itself? it's a chicken and egg problem
- 01:30
Interviewer
we're talking about chickens we're talking about eggs
- 01:32
Interviewee
um let me start a leveret here um there's language and there's speech um there's there's chess and there's a game of chess
- 01:43
Interviewer
mark the difference for me mark it please we've moved on to chess
- 01:48
Interviewee
imagine a piano keyboard um 88 keys only 88 and yet and yet hundreds of new melodies new tunes new harmonies are being composed upon hundreds of different keyboards every day in Dorset alone.
- 02:02
Interviewee
Our language, Tiger, our language... Hundreds of thousands of available words, frillions of legitimate new ideas, so that I can say the following sentence and be utterly sure that nobody has ever said it before in the history of human communication... Hold the newsreader's nose squarely, waiter, or friendly milk will countermand my trousers.
- 02:27
Interviewee
perfectly ordinary words but never before put in that precise order a unique child delivered of a unique mother and yet we all of us spent all our days saying to each other the same things time after weary time I love you don't go in there get out you have no right to say that stop it why should I that hurt help Marjorie is dead is a thought to take out for a cream tea on a raining Sunday afternoon.
- 03:01
Interviewer
So your language is more than just a means of communication?
- 03:04
Interviewee
Oh of course it is, of course it is, of course it is, of course it is. My mother, my father, my husband, my brother, my sister, my whore, my mistress, my checkout girl. Language is a complimentary moist lemon-scented cleansing square.
- 03:18
Interviewee
Language is the breath of God. Language is the dew on a fresh apple. It's the soft rain of dust that falls into a shaft of morning light as you pluck from an old bookshelf A half-forgotten book of erotic memoirs.
- 03:32
Interviewee
Language is the creek on a stair. It's a spluttering match held to a frosted pane. It's a half-remembered childhood birthday party. It's the warm, wet, trusting touch of a leaking nappy. The hulk of a charred panzer. The underside of a granite boulder. The first downy growth on the upper lip of a Mediterranean girl.
- 03:50
Interviewer
It's cobwebs long since overrun by an old Wellington boot.
- 03:55
Interviewee
No, no, it's...
The rabbit hole continues
One more couldn’t hurt.
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